The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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《没有和解》常见问题 1、请问哪个平台可以免费在线观看《没有和解》? 短剧看看-好看短剧网友：在线观看地址 https://m.duanjukk.com/play/95a69aa1a1a8.html《没有和解》免费高清在线观看地址，以及相关的剧情简介、演员表、导演、幕后花絮、上映时间、上映地区、视频海报、剧照等信息均由互联网上面收集整理而来，支持正版影片视频! 2、《没有和解》是哪些演员主演的？ 网友：主演有 3、《没有和解》是什么时候上映/什么时候开播的 网友：1965年，详细日期也可以去百度百科查询。 4、凶宅幽灵如果播放卡顿怎么办？ 百度贴吧网友：播放页面卡顿可以刷新网页或者更换播放源。 5、手机版免费在线点播《没有和解》哪些网站还有资源？ 网友：芒果TV、爱奇艺、优酷视频、百度视频 6、《没有和解》的评价： 腾讯视频网友:电影前的回忆闪回让观众们完美过渡 没看过前作的朋友也毫无压力 相比第一部演员有所升级 豆瓣电影网友：《没有和解》观感太割裂了，一边频频被视觉设计上的创意惊艳到，一边又不知道导演在吃力地表达什么！首先要说明一点，抛开所有片外因素，这部片子我看得很爽。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.没有和解由导演让-马里斯特劳布,达尼埃尔于伊耶和等演员在1965年在其它拍摄的一部非常好看的剧情片,评分一直在涨，现由 www.duanjukk.com 免费提供在线观看
